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Jazz in New Orleans: The Postwar Years Through 1970 (Studies in Jazz)

Hardcover |English |0810839075 | 9780810839076

Jazz in New Orleans: The Postwar Years Through 1970 (Studies in Jazz)

Hardcover |English |0810839075 | 9780810839076
Overview
...essential reading... (Offbeat)Suhor's essays and commentaries are as authoritative as they are insightful.Jazz in New Orleansis enthusiastically recommended reading for all students of American music in general, and the history of jazz in particular. (Reviewer's Bookwatch)One of the most important books on jazz history published in 2001. Suhor's experiences on and off the drum chair place him in a unique position to assess the lows as well as the heights to which the music has both risen and fallen in the land of its first fruits...jazz lovers, researchers, scholars and interested members of the general public will welcome with open arms this well-written and insightful account of jazz in New Orleans from 1945 to 1970. (Ejazznews.Com)...compelling... (Gambit)Brilliant...one cannot help but be charmed by this writing... (The IAJRC Journal)In this enlightening, well-researched chronicle of the Crescent City's postwar music scene, drummer-educator-journalist Charles Suhor cuts to the heart of several misconceptions that have been perpetuated over the decades about his hometown. In clear, authoritative prose, Dr. Suhor goes about refuting the notion that postwar New Orleans was merely about Dixieland revivals, second line parades, and Preservation Hall. Some of Suhor's old pieces fromDown BeatandLouisiana Lifeare reprinted here providing detailed accounts of what was really going down in the Crescent City. An exhaustive, thorough researcher, Suhor should be commended for offering the most accurate and comprehensive picture to date of jazz in New Orleans from 1945 to 1970. His scholarly, objective tome is not only a welcome addition to other invaluable histories of New Orleans music, such asUp from the Cradle of Jazz: New Orleans Music Since World War IIby Jason Berry, Jonathan Foose and Tad Jones andMusical Gumbo: The Music of New Orleansby Grace Lichtenstein and L. Danker, it also addresses some inaccuracies that have even been perpetuated through worthy efforts.This is a solid piece of reportage and a must-read for anyone interested in what comes out of the rich, cultural stew that existed down below sea level in N'awlins. (Jazz Notes)Charlie Suhor rises above advocacy, partisanship and politics to put jazz in New Orleans in historical and stylistic perspective. At last, we have a sense of the continuum from the traditional to the modern. (Doug Ramsey, author,Jazz Matters: Reflections on the Music and Some of Its Makers)A great book on New Orleans jazz from a musician who lived the history. Finely detailed, from the delineations of jazz folks to the turns in the music to the po'boy sandwiches and beer, this entertaining account is both lively and true to the times. (Sybil Kein, New Orleans historian, poet, performer)A richly detailed work of art. . . . Jazz lovers, research specialists and students as well as the general public will get information never revealed before. (Tex Stephens, New Orleans journalist and promoterData News Weekly)The rich myriad threads of mid-century jazz in New Orleans are all tied together in this book. (Gilbert Erskine, jazz critic and co-founder, New Orleans Jazz Club)Skillfully combining his meticulous historical research with the numerous articles he wrote while covering the jazz scene during the 1960s, Suhor speaks with both authority and immediacy. (Thomas A. Sancton, New Orleans jazz clarinetist, Paris CorrespondentTime Magazine)Insider's insights prevail...a unique perspective... (JazzTimes Magazine)...a remarkable work. Suhor knows his stuff: intimately (Cadence Magazine)For anyone seriously interested in New Orleans music this book is a "must" read...should be required reading for all with more than a passing interest in New Orleans jazz. This book is a rich resource for those interested in New Orleans music. Written with clarity and good humor...recommended highly and without hesitation. (The Mississippi Rag)...fascinating and informative... (Midwest Book Review)...a distinctly human flavor... (Loyola University Magazine)...worthy of a wide audience... (New Orleans)...first rate...fresh anecdotes... (Jazzcookin.Com)The book is an expert combination of reportage from the 1960's and currently-written material...a valuable book. (Jazzbeat)Jazz in New Orleans: The Postwar Years through 1970is a book thatsounds. Suhor's careful scholarship and reasoning do not prevent him from writing with the sizzle, the cadence, and the well-timed playfulness of a good New Orleans drummer...Suhor can describe the sound of a musician or band better than any jazz historian I have read. His descriptions put language to the test, conjuring music that has long since passed; but above all, the descriptions ring with a precision that reflects Suhor's uncompromising commitment to setting the record straight. (American Book Review)Jazz in New Orleans is laced with anecdotes, some tragic, that capture the spirit of the times. (International Musician)Suhor handily and comprehensively covers the national revival of traditional New Orleans and Dixieland jazz in the 1940s, trumpeter Buck Johnson's surprise comeback during the same era, and the subsequent arrival of swing and bebop to the scene. (St. Petersburg Times)
ISBN: 0810839075
ISBN13: 9780810839076
Author: Charles Suhor
Publisher: Scarecrow Press
Format: Hardcover
PublicationDate: 2001-04-11
Language: English
Edition: Reprint
PageCount: 384
Dimensions: 5.84 x 1.04 x 8.78 inches
Weight: 20.8 ounces
...essential reading... (Offbeat)Suhor's essays and commentaries are as authoritative as they are insightful.Jazz in New Orleansis enthusiastically recommended reading for all students of American music in general, and the history of jazz in particular. (Reviewer's Bookwatch)One of the most important books on jazz history published in 2001. Suhor's experiences on and off the drum chair place him in a unique position to assess the lows as well as the heights to which the music has both risen and fallen in the land of its first fruits...jazz lovers, researchers, scholars and interested members of the general public will welcome with open arms this well-written and insightful account of jazz in New Orleans from 1945 to 1970. (Ejazznews.Com)...compelling... (Gambit)Brilliant...one cannot help but be charmed by this writing... (The IAJRC Journal)In this enlightening, well-researched chronicle of the Crescent City's postwar music scene, drummer-educator-journalist Charles Suhor cuts to the heart of several misconceptions that have been perpetuated over the decades about his hometown. In clear, authoritative prose, Dr. Suhor goes about refuting the notion that postwar New Orleans was merely about Dixieland revivals, second line parades, and Preservation Hall. Some of Suhor's old pieces fromDown BeatandLouisiana Lifeare reprinted here providing detailed accounts of what was really going down in the Crescent City. An exhaustive, thorough researcher, Suhor should be commended for offering the most accurate and comprehensive picture to date of jazz in New Orleans from 1945 to 1970. His scholarly, objective tome is not only a welcome addition to other invaluable histories of New Orleans music, such asUp from the Cradle of Jazz: New Orleans Music Since World War IIby Jason Berry, Jonathan Foose and Tad Jones andMusical Gumbo: The Music of New Orleansby Grace Lichtenstein and L. Danker, it also addresses some inaccuracies that have even been perpetuated through worthy efforts.This is a solid piece of reportage and a must-read for anyone interested in what comes out of the rich, cultural stew that existed down below sea level in N'awlins. (Jazz Notes)Charlie Suhor rises above advocacy, partisanship and politics to put jazz in New Orleans in historical and stylistic perspective. At last, we have a sense of the continuum from the traditional to the modern. (Doug Ramsey, author,Jazz Matters: Reflections on the Music and Some of Its Makers)A great book on New Orleans jazz from a musician who lived the history. Finely detailed, from the delineations of jazz folks to the turns in the music to the po'boy sandwiches and beer, this entertaining account is both lively and true to the times. (Sybil Kein, New Orleans historian, poet, performer)A richly detailed work of art. . . . Jazz lovers, research specialists and students as well as the general public will get information never revealed before. (Tex Stephens, New Orleans journalist and promoterData News Weekly)The rich myriad threads of mid-century jazz in New Orleans are all tied together in this book. (Gilbert Erskine, jazz critic and co-founder, New Orleans Jazz Club)Skillfully combining his meticulous historical research with the numerous articles he wrote while covering the jazz scene during the 1960s, Suhor speaks with both authority and immediacy. (Thomas A. Sancton, New Orleans jazz clarinetist, Paris CorrespondentTime Magazine)Insider's insights prevail...a unique perspective... (JazzTimes Magazine)...a remarkable work. Suhor knows his stuff: intimately (Cadence Magazine)For anyone seriously interested in New Orleans music this book is a "must" read...should be required reading for all with more than a passing interest in New Orleans jazz. This book is a rich resource for those interested in New Orleans music. Written with clarity and good humor...recommended highly and without hesitation. (The Mississippi Rag)...fascinating and informative... (Midwest Book Review)...a distinctly human flavor... (Loyola University Magazine)...worthy of a wide audience... (New Orleans)...first rate...fresh anecdotes... (Jazzcookin.Com)The book is an expert combination of reportage from the 1960's and currently-written material...a valuable book. (Jazzbeat)Jazz in New Orleans: The Postwar Years through 1970is a book thatsounds. Suhor's careful scholarship and reasoning do not prevent him from writing with the sizzle, the cadence, and the well-timed playfulness of a good New Orleans drummer...Suhor can describe the sound of a musician or band better than any jazz historian I have read. His descriptions put language to the test, conjuring music that has long since passed; but above all, the descriptions ring with a precision that reflects Suhor's uncompromising commitment to setting the record straight. (American Book Review)Jazz in New Orleans is laced with anecdotes, some tragic, that capture the spirit of the times. (International Musician)Suhor handily and comprehensively covers the national revival of traditional New Orleans and Dixieland jazz in the 1940s, trumpeter Buck Johnson's surprise comeback during the same era, and the subsequent arrival of swing and bebop to the scene. (St. Petersburg Times)

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Overview
...essential reading... (Offbeat)Suhor's essays and commentaries are as authoritative as they are insightful.Jazz in New Orleansis enthusiastically recommended reading for all students of American music in general, and the history of jazz in particular. (Reviewer's Bookwatch)One of the most important books on jazz history published in 2001. Suhor's experiences on and off the drum chair place him in a unique position to assess the lows as well as the heights to which the music has both risen and fallen in the land of its first fruits...jazz lovers, researchers, scholars and interested members of the general public will welcome with open arms this well-written and insightful account of jazz in New Orleans from 1945 to 1970. (Ejazznews.Com)...compelling... (Gambit)Brilliant...one cannot help but be charmed by this writing... (The IAJRC Journal)In this enlightening, well-researched chronicle of the Crescent City's postwar music scene, drummer-educator-journalist Charles Suhor cuts to the heart of several misconceptions that have been perpetuated over the decades about his hometown. In clear, authoritative prose, Dr. Suhor goes about refuting the notion that postwar New Orleans was merely about Dixieland revivals, second line parades, and Preservation Hall. Some of Suhor's old pieces fromDown BeatandLouisiana Lifeare reprinted here providing detailed accounts of what was really going down in the Crescent City. An exhaustive, thorough researcher, Suhor should be commended for offering the most accurate and comprehensive picture to date of jazz in New Orleans from 1945 to 1970. His scholarly, objective tome is not only a welcome addition to other invaluable histories of New Orleans music, such asUp from the Cradle of Jazz: New Orleans Music Since World War IIby Jason Berry, Jonathan Foose and Tad Jones andMusical Gumbo: The Music of New Orleansby Grace Lichtenstein and L. Danker, it also addresses some inaccuracies that have even been perpetuated through worthy efforts.This is a solid piece of reportage and a must-read for anyone interested in what comes out of the rich, cultural stew that existed down below sea level in N'awlins. (Jazz Notes)Charlie Suhor rises above advocacy, partisanship and politics to put jazz in New Orleans in historical and stylistic perspective. At last, we have a sense of the continuum from the traditional to the modern. (Doug Ramsey, author,Jazz Matters: Reflections on the Music and Some of Its Makers)A great book on New Orleans jazz from a musician who lived the history. Finely detailed, from the delineations of jazz folks to the turns in the music to the po'boy sandwiches and beer, this entertaining account is both lively and true to the times. (Sybil Kein, New Orleans historian, poet, performer)A richly detailed work of art. . . . Jazz lovers, research specialists and students as well as the general public will get information never revealed before. (Tex Stephens, New Orleans journalist and promoterData News Weekly)The rich myriad threads of mid-century jazz in New Orleans are all tied together in this book. (Gilbert Erskine, jazz critic and co-founder, New Orleans Jazz Club)Skillfully combining his meticulous historical research with the numerous articles he wrote while covering the jazz scene during the 1960s, Suhor speaks with both authority and immediacy. (Thomas A. Sancton, New Orleans jazz clarinetist, Paris CorrespondentTime Magazine)Insider's insights prevail...a unique perspective... (JazzTimes Magazine)...a remarkable work. Suhor knows his stuff: intimately (Cadence Magazine)For anyone seriously interested in New Orleans music this book is a "must" read...should be required reading for all with more than a passing interest in New Orleans jazz. This book is a rich resource for those interested in New Orleans music. Written with clarity and good humor...recommended highly and without hesitation. (The Mississippi Rag)...fascinating and informative... (Midwest Book Review)...a distinctly human flavor... (Loyola University Magazine)...worthy of a wide audience... (New Orleans)...first rate...fresh anecdotes... (Jazzcookin.Com)The book is an expert combination of reportage from the 1960's and currently-written material...a valuable book. (Jazzbeat)Jazz in New Orleans: The Postwar Years through 1970is a book thatsounds. Suhor's careful scholarship and reasoning do not prevent him from writing with the sizzle, the cadence, and the well-timed playfulness of a good New Orleans drummer...Suhor can describe the sound of a musician or band better than any jazz historian I have read. His descriptions put language to the test, conjuring music that has long since passed; but above all, the descriptions ring with a precision that reflects Suhor's uncompromising commitment to setting the record straight. (American Book Review)Jazz in New Orleans is laced with anecdotes, some tragic, that capture the spirit of the times. (International Musician)Suhor handily and comprehensively covers the national revival of traditional New Orleans and Dixieland jazz in the 1940s, trumpeter Buck Johnson's surprise comeback during the same era, and the subsequent arrival of swing and bebop to the scene. (St. Petersburg Times)
ISBN: 0810839075
ISBN13: 9780810839076
Author: Charles Suhor
Publisher: Scarecrow Press
Format: Hardcover
PublicationDate: 2001-04-11
Language: English
Edition: Reprint
PageCount: 384
Dimensions: 5.84 x 1.04 x 8.78 inches
Weight: 20.8 ounces
...essential reading... (Offbeat)Suhor's essays and commentaries are as authoritative as they are insightful.Jazz in New Orleansis enthusiastically recommended reading for all students of American music in general, and the history of jazz in particular. (Reviewer's Bookwatch)One of the most important books on jazz history published in 2001. Suhor's experiences on and off the drum chair place him in a unique position to assess the lows as well as the heights to which the music has both risen and fallen in the land of its first fruits...jazz lovers, researchers, scholars and interested members of the general public will welcome with open arms this well-written and insightful account of jazz in New Orleans from 1945 to 1970. (Ejazznews.Com)...compelling... (Gambit)Brilliant...one cannot help but be charmed by this writing... (The IAJRC Journal)In this enlightening, well-researched chronicle of the Crescent City's postwar music scene, drummer-educator-journalist Charles Suhor cuts to the heart of several misconceptions that have been perpetuated over the decades about his hometown. In clear, authoritative prose, Dr. Suhor goes about refuting the notion that postwar New Orleans was merely about Dixieland revivals, second line parades, and Preservation Hall. Some of Suhor's old pieces fromDown BeatandLouisiana Lifeare reprinted here providing detailed accounts of what was really going down in the Crescent City. An exhaustive, thorough researcher, Suhor should be commended for offering the most accurate and comprehensive picture to date of jazz in New Orleans from 1945 to 1970. His scholarly, objective tome is not only a welcome addition to other invaluable histories of New Orleans music, such asUp from the Cradle of Jazz: New Orleans Music Since World War IIby Jason Berry, Jonathan Foose and Tad Jones andMusical Gumbo: The Music of New Orleansby Grace Lichtenstein and L. Danker, it also addresses some inaccuracies that have even been perpetuated through worthy efforts.This is a solid piece of reportage and a must-read for anyone interested in what comes out of the rich, cultural stew that existed down below sea level in N'awlins. (Jazz Notes)Charlie Suhor rises above advocacy, partisanship and politics to put jazz in New Orleans in historical and stylistic perspective. At last, we have a sense of the continuum from the traditional to the modern. (Doug Ramsey, author,Jazz Matters: Reflections on the Music and Some of Its Makers)A great book on New Orleans jazz from a musician who lived the history. Finely detailed, from the delineations of jazz folks to the turns in the music to the po'boy sandwiches and beer, this entertaining account is both lively and true to the times. (Sybil Kein, New Orleans historian, poet, performer)A richly detailed work of art. . . . Jazz lovers, research specialists and students as well as the general public will get information never revealed before. (Tex Stephens, New Orleans journalist and promoterData News Weekly)The rich myriad threads of mid-century jazz in New Orleans are all tied together in this book. (Gilbert Erskine, jazz critic and co-founder, New Orleans Jazz Club)Skillfully combining his meticulous historical research with the numerous articles he wrote while covering the jazz scene during the 1960s, Suhor speaks with both authority and immediacy. (Thomas A. Sancton, New Orleans jazz clarinetist, Paris CorrespondentTime Magazine)Insider's insights prevail...a unique perspective... (JazzTimes Magazine)...a remarkable work. Suhor knows his stuff: intimately (Cadence Magazine)For anyone seriously interested in New Orleans music this book is a "must" read...should be required reading for all with more than a passing interest in New Orleans jazz. This book is a rich resource for those interested in New Orleans music. Written with clarity and good humor...recommended highly and without hesitation. (The Mississippi Rag)...fascinating and informative... (Midwest Book Review)...a distinctly human flavor... (Loyola University Magazine)...worthy of a wide audience... (New Orleans)...first rate...fresh anecdotes... (Jazzcookin.Com)The book is an expert combination of reportage from the 1960's and currently-written material...a valuable book. (Jazzbeat)Jazz in New Orleans: The Postwar Years through 1970is a book thatsounds. Suhor's careful scholarship and reasoning do not prevent him from writing with the sizzle, the cadence, and the well-timed playfulness of a good New Orleans drummer...Suhor can describe the sound of a musician or band better than any jazz historian I have read. His descriptions put language to the test, conjuring music that has long since passed; but above all, the descriptions ring with a precision that reflects Suhor's uncompromising commitment to setting the record straight. (American Book Review)Jazz in New Orleans is laced with anecdotes, some tragic, that capture the spirit of the times. (International Musician)Suhor handily and comprehensively covers the national revival of traditional New Orleans and Dixieland jazz in the 1940s, trumpeter Buck Johnson's surprise comeback during the same era, and the subsequent arrival of swing and bebop to the scene. (St. Petersburg Times)

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

Shipping Fees

  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

Delivery Times

The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

  • Standard Shipping: 5-8 business days
  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


Shipping Cost


We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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