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Shadows of War: A German Soldier's Lost Photographs of World War II

by Bopp , Petra , Rose , Willi , Eller , Thomas
Hardcover |English |0810955903 | 9780810955905

Shadows of War: A German Soldier's Lost Photographs of World War II

by Bopp , Petra , Rose , Willi , Eller , Thomas
Hardcover |English |0810955903 | 9780810955905
Overview
Five years ago, Eller, a German artist and editor, received a treasure trove: some 500 snapshots taken by his great-uncle, Willi Rose, a veteran of World War II. In this volume, Eller reproduces 200 of these photographs, and at first glance they present an eloquent visual testimony of Rose's wartime experiences. Or do they? A closer look reveals that although Rose had an eye, his pictures feel strangely detached and anonymous. The photographs of Dunkirk, for example, suggest that it is interesting to ponder the massive British retreat from the victor's point of view, but the pictures of smiling German soldiers at the beach add little to our understanding of the war or the photographer. Similarly, an upended locomotive is presented as if the destruction itself is what caught Mr. Rose's eye, and not the human cost. One wonders, then, why Rose photographed a dead Soviet soldier with his legs still clinging to the flanks of his dead horse. Was it sympathy? Pride? Or merely the bizarre coincidence of the pose? Only one sentence in the acknowledgments hints at Rose's own personality, when Eller writes that his great-uncle's "vision, and not his morality, is the foundation for this book." But can the "morality" of those who fought for Nazism be so easily put aside? Much of the text, in fact, will leave the reader with discomfiting questions. Petra Bopp's essay on Nazi-era photography is informative, but she also juxtaposes Rose's picture of barbed wire with art about the Israeli/Palestinian conflict-a strained, and in this context, perhaps offensive comparison. All in all, Rose's unexceptional work seems to do little more than to confirm Hannah Arendt's well-worn report on the banality of evil.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
ISBN: 0810955903
ISBN13: 9780810955905
Author: Bopp, Petra, Rose, Willi, Eller, Thomas
Publisher: Harry N. Abrams
Format: Hardcover
PublicationDate: 2005-01-05
Language: English
Edition: English Language
PageCount: 192
Dimensions: 9.75 x 1.0 x 10.5 inches
Weight: 10.56 ounces
Five years ago, Eller, a German artist and editor, received a treasure trove: some 500 snapshots taken by his great-uncle, Willi Rose, a veteran of World War II. In this volume, Eller reproduces 200 of these photographs, and at first glance they present an eloquent visual testimony of Rose's wartime experiences. Or do they? A closer look reveals that although Rose had an eye, his pictures feel strangely detached and anonymous. The photographs of Dunkirk, for example, suggest that it is interesting to ponder the massive British retreat from the victor's point of view, but the pictures of smiling German soldiers at the beach add little to our understanding of the war or the photographer. Similarly, an upended locomotive is presented as if the destruction itself is what caught Mr. Rose's eye, and not the human cost. One wonders, then, why Rose photographed a dead Soviet soldier with his legs still clinging to the flanks of his dead horse. Was it sympathy? Pride? Or merely the bizarre coincidence of the pose? Only one sentence in the acknowledgments hints at Rose's own personality, when Eller writes that his great-uncle's "vision, and not his morality, is the foundation for this book." But can the "morality" of those who fought for Nazism be so easily put aside? Much of the text, in fact, will leave the reader with discomfiting questions. Petra Bopp's essay on Nazi-era photography is informative, but she also juxtaposes Rose's picture of barbed wire with art about the Israeli/Palestinian conflict-a strained, and in this context, perhaps offensive comparison. All in all, Rose's unexceptional work seems to do little more than to confirm Hannah Arendt's well-worn report on the banality of evil.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

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If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

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  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
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Overview
Five years ago, Eller, a German artist and editor, received a treasure trove: some 500 snapshots taken by his great-uncle, Willi Rose, a veteran of World War II. In this volume, Eller reproduces 200 of these photographs, and at first glance they present an eloquent visual testimony of Rose's wartime experiences. Or do they? A closer look reveals that although Rose had an eye, his pictures feel strangely detached and anonymous. The photographs of Dunkirk, for example, suggest that it is interesting to ponder the massive British retreat from the victor's point of view, but the pictures of smiling German soldiers at the beach add little to our understanding of the war or the photographer. Similarly, an upended locomotive is presented as if the destruction itself is what caught Mr. Rose's eye, and not the human cost. One wonders, then, why Rose photographed a dead Soviet soldier with his legs still clinging to the flanks of his dead horse. Was it sympathy? Pride? Or merely the bizarre coincidence of the pose? Only one sentence in the acknowledgments hints at Rose's own personality, when Eller writes that his great-uncle's "vision, and not his morality, is the foundation for this book." But can the "morality" of those who fought for Nazism be so easily put aside? Much of the text, in fact, will leave the reader with discomfiting questions. Petra Bopp's essay on Nazi-era photography is informative, but she also juxtaposes Rose's picture of barbed wire with art about the Israeli/Palestinian conflict-a strained, and in this context, perhaps offensive comparison. All in all, Rose's unexceptional work seems to do little more than to confirm Hannah Arendt's well-worn report on the banality of evil.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
ISBN: 0810955903
ISBN13: 9780810955905
Author: Bopp, Petra, Rose, Willi, Eller, Thomas
Publisher: Harry N. Abrams
Format: Hardcover
PublicationDate: 2005-01-05
Language: English
Edition: English Language
PageCount: 192
Dimensions: 9.75 x 1.0 x 10.5 inches
Weight: 10.56 ounces
Five years ago, Eller, a German artist and editor, received a treasure trove: some 500 snapshots taken by his great-uncle, Willi Rose, a veteran of World War II. In this volume, Eller reproduces 200 of these photographs, and at first glance they present an eloquent visual testimony of Rose's wartime experiences. Or do they? A closer look reveals that although Rose had an eye, his pictures feel strangely detached and anonymous. The photographs of Dunkirk, for example, suggest that it is interesting to ponder the massive British retreat from the victor's point of view, but the pictures of smiling German soldiers at the beach add little to our understanding of the war or the photographer. Similarly, an upended locomotive is presented as if the destruction itself is what caught Mr. Rose's eye, and not the human cost. One wonders, then, why Rose photographed a dead Soviet soldier with his legs still clinging to the flanks of his dead horse. Was it sympathy? Pride? Or merely the bizarre coincidence of the pose? Only one sentence in the acknowledgments hints at Rose's own personality, when Eller writes that his great-uncle's "vision, and not his morality, is the foundation for this book." But can the "morality" of those who fought for Nazism be so easily put aside? Much of the text, in fact, will leave the reader with discomfiting questions. Petra Bopp's essay on Nazi-era photography is informative, but she also juxtaposes Rose's picture of barbed wire with art about the Israeli/Palestinian conflict-a strained, and in this context, perhaps offensive comparison. All in all, Rose's unexceptional work seems to do little more than to confirm Hannah Arendt's well-worn report on the banality of evil.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

Shipping Fees

  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

Delivery Times

The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

  • Standard Shipping: 5-8 business days
  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


Shipping Cost


We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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