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The Longman Anthology of British Literature, Volumes 2A, 2B, and 2C (4th Edition)

Paperback |English |0205693342 | 9780205693344

The Longman Anthology of British Literature, Volumes 2A, 2B, and 2C (4th Edition)

Paperback |English |0205693342 | 9780205693344
Overview
David Damroschis Professor of Comparative Literature at Harvard University. He is a past president of the American Comparative Literature Association, and has written widely on world literature from antiquity to the present. His books includeWhat Is World Literature?(2003),The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh(2007), andHow to Read World Literature(2009). He is the founding general editor of the six-volumeLongman Anthology of World Literature, 2/e(2009) and the editor ofTeaching World Literature(2009). Kevin J. H. Dettmaris W. M. Keck Professor and Chair, Department of English, at Pomona College, and Past President of the Modernist Studies Association.  He is the author ofThe Illicit Joyce of PostmodernismandIs Rock Dead?, and the editor ofRereading the New: A Backward Glance at Modernism; Marketing Modernisms: Self-Promotion, Canonization, and Rereading; Reading Rock & Roll: Authenticity, Appropriation, Aesthetics;the Barnes & Noble Classics edition of James Joyce’sA Portrait of the Artist as a Young ManandDubliners;andThe Blackwell Companion to Modernist Literature and Culture,and co-general editor ofThe Longman Anthology of British Literature.   Christopher Baswellis A. W. Olin Chair of English at Barnard College, and Professor of English and Comparative Literature at Columbia University.  His interests include classical literature and culture, medieval literature and culture, and contemporary poetry.  He is author ofVirgil in Medieval England: Figuring the "Aeneid" from the Twelfth Century to Chaucer, which won the 1998 Beatrice White Prize of the English Association.  He has held fellowships from the NEH, the National Humanities Center, and the Institute for Advanced Study, Princeton. Clare Carrollis Director of Renaissance Studies at The Graduate Center, City University of New York and Professor of Comparative Literature at Queens College and at The Graduate Center, CUNY.  Her research is in Renaissance Studies, with particular interests in early modern colonialism, epic poetry, historiography, and translation. She is the author ofThe Orlando Furioso: A Stoic Comedy, and editor of Richard Beacon's humanist dialogue on the colonization of Ireland,Solon His Follie. Her most recent book isCirce's Cup: Cultural Transformations in Early Modern Ireland. She has received Fulbright Fellowships for her research and the Queens College President's Award for Excellence in Teaching. Andrew Hadfieldis Professor of English at The University of Sussex. He is the author of a number of books, includingShakespeare and Republicanism(2005), which was awarded the 2006 Sixteenth-Century Society Conference Roland H. Bainton Prize for Literature;Literature, Travel and Colonialism in the English Renaissance, 1540-1625(1998); and Spenser'sIrishExperience: Wilde Fruyt andSalvage Soyl(1997). He has also edited a number, most recently, with Matthew Dimmock,Religions of the Book: Co-existence and Conflict, 1400-1660(2008), and with Raymond Gillespie,The OxfordHistory of the Irish Book, Vol. III: The Irish Book in English, 1550-1800(2006). He is a regular reviewer for the TLS. Heather Hendersonis a freelance writer and former Associate Professor of English Literature at Mount Holyoke College.  A specialist in Victorian literature, she is the recipient of a fellowship from the National Endowment for the Humanities.  She is the author ofThe Victorian Self: Autobiography and Biblical Narrative.  Her current interests include home-schooling, travel literature, and autobiography.  Peter J. Manningis Professor at Stony Brook University. He is the author ofByron and His FictionsandReading Romantics, and of numerous essays on the British Romantic poets and prose writers. With Susan J. Wolfson, he has co-editedSelected Poems of Byron, andSelected Poems of Beddoes, Hood, and Praed. He has received fellowships from the National Endowment for the Humanities and the John Simon Guggenheim Memorial Foundation, and the Distinguished Scholar Award of the Keats-Shelley Association. Anne Howland Schotteris Professor and Chair of English and Associate Dean of the Faculty at Wagner College.  She is the co-editor ofIneffability: Naming the Unnamable from Dante to Beckettand author of articles on Middle English poetry, Dante, and Medieval Latin poetry.  Her current interests include the medieval reception of classical literature, particularly the work of Ovid.  She has held fellowships from the Woodrow Wilson and Andrew W. Mellon foundations. William Sharpeis Professor of English Literature at Barnard College.  A specialist in Victorian poetry and the literature of the city, he is the author ofUnreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams.  He is also co-editor ofThe Passing of ArthurandVisions of the Modern City.  He is the recipient of Guggenheim, National Endowment of the Humanities, Fulbright, and Mellon fellowships, and recently publishedNew YorkNocturne: The City After Dark in Literature, Painting, and Photography. Stuart Shermanis Associate Professor of English at Fordham University. He received the Gottschalk Prize from the American Society for Eighteenth-Century Studies for his bookTelling Time: Clocks, Diaries, and English Diurnal Form, 1660-1775, and is currently at work on a study called “News and Plays: Evanescences of Page and Stage, 1620-1779.” He has received the Quantrell Award for Undergraduate Teaching, as well as fellowships from the American Council of Learned Societies, the Chicago Humanities Institute, and Princeton University. Susan J. Wolfson is Professor of English at Princeton University and is general editor of Longman Cultural Editions. A specialist in Romanticism, her critical studies includeThe Questioning Presence:  Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry,Formal Charges: The Shaping of Poetry in British Romanticism, andBorderlines: The Shiftings of Gender in British Romanticism. She has also produced editions of Felicia Hemans, Lord Byron, Thomas L. Beddoes, William M. Praed, Thomas Hood, as well as the Longman Cultural Edition of Shelley’s Frankenstein. She received Distinguished Scholar Award from Keats-Shelley Association, and grants and fellowships from American Council of Learned Societies, National Endowment for the Humanities, J. S. Guggenheim Foundation, and Andrew W. Mellon Foundation.  She is President (2009-2010) of the Association of Literary Scholars, Critics, and Writers. 
ISBN: 0205693342
ISBN13: 9780205693344
Author: David Damrosch, Kevin J. H. Dettmar, Christopher Baswell, Clare Carroll, Andrew David Hadfield, Heather Henderson, Peter J. Manning, Anne Howland Schotter, William Chapman Sharpe, Stuart Sherman, Susan J. Wolfson
Publisher: Longman
Format: Paperback
PublicationDate: 2009-10-30
Language: English
Edition: 4
PageCount: 2960
Dimensions: 6.4 x 2.6 x 9.3 inches
Weight: 16.0 ounces
David Damroschis Professor of Comparative Literature at Harvard University. He is a past president of the American Comparative Literature Association, and has written widely on world literature from antiquity to the present. His books includeWhat Is World Literature?(2003),The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh(2007), andHow to Read World Literature(2009). He is the founding general editor of the six-volumeLongman Anthology of World Literature, 2/e(2009) and the editor ofTeaching World Literature(2009). Kevin J. H. Dettmaris W. M. Keck Professor and Chair, Department of English, at Pomona College, and Past President of the Modernist Studies Association.  He is the author ofThe Illicit Joyce of PostmodernismandIs Rock Dead?, and the editor ofRereading the New: A Backward Glance at Modernism; Marketing Modernisms: Self-Promotion, Canonization, and Rereading; Reading Rock & Roll: Authenticity, Appropriation, Aesthetics;the Barnes & Noble Classics edition of James Joyce’sA Portrait of the Artist as a Young ManandDubliners;andThe Blackwell Companion to Modernist Literature and Culture,and co-general editor ofThe Longman Anthology of British Literature.   Christopher Baswellis A. W. Olin Chair of English at Barnard College, and Professor of English and Comparative Literature at Columbia University.  His interests include classical literature and culture, medieval literature and culture, and contemporary poetry.  He is author ofVirgil in Medieval England: Figuring the "Aeneid" from the Twelfth Century to Chaucer, which won the 1998 Beatrice White Prize of the English Association.  He has held fellowships from the NEH, the National Humanities Center, and the Institute for Advanced Study, Princeton. Clare Carrollis Director of Renaissance Studies at The Graduate Center, City University of New York and Professor of Comparative Literature at Queens College and at The Graduate Center, CUNY.  Her research is in Renaissance Studies, with particular interests in early modern colonialism, epic poetry, historiography, and translation. She is the author ofThe Orlando Furioso: A Stoic Comedy, and editor of Richard Beacon's humanist dialogue on the colonization of Ireland,Solon His Follie. Her most recent book isCirce's Cup: Cultural Transformations in Early Modern Ireland. She has received Fulbright Fellowships for her research and the Queens College President's Award for Excellence in Teaching. Andrew Hadfieldis Professor of English at The University of Sussex. He is the author of a number of books, includingShakespeare and Republicanism(2005), which was awarded the 2006 Sixteenth-Century Society Conference Roland H. Bainton Prize for Literature;Literature, Travel and Colonialism in the English Renaissance, 1540-1625(1998); and Spenser'sIrishExperience: Wilde Fruyt andSalvage Soyl(1997). He has also edited a number, most recently, with Matthew Dimmock,Religions of the Book: Co-existence and Conflict, 1400-1660(2008), and with Raymond Gillespie,The OxfordHistory of the Irish Book, Vol. III: The Irish Book in English, 1550-1800(2006). He is a regular reviewer for the TLS. Heather Hendersonis a freelance writer and former Associate Professor of English Literature at Mount Holyoke College.  A specialist in Victorian literature, she is the recipient of a fellowship from the National Endowment for the Humanities.  She is the author ofThe Victorian Self: Autobiography and Biblical Narrative.  Her current interests include home-schooling, travel literature, and autobiography.  Peter J. Manningis Professor at Stony Brook University. He is the author ofByron and His FictionsandReading Romantics, and of numerous essays on the British Romantic poets and prose writers. With Susan J. Wolfson, he has co-editedSelected Poems of Byron, andSelected Poems of Beddoes, Hood, and Praed. He has received fellowships from the National Endowment for the Humanities and the John Simon Guggenheim Memorial Foundation, and the Distinguished Scholar Award of the Keats-Shelley Association. Anne Howland Schotteris Professor and Chair of English and Associate Dean of the Faculty at Wagner College.  She is the co-editor ofIneffability: Naming the Unnamable from Dante to Beckettand author of articles on Middle English poetry, Dante, and Medieval Latin poetry.  Her current interests include the medieval reception of classical literature, particularly the work of Ovid.  She has held fellowships from the Woodrow Wilson and Andrew W. Mellon foundations. William Sharpeis Professor of English Literature at Barnard College.  A specialist in Victorian poetry and the literature of the city, he is the author ofUnreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams.  He is also co-editor ofThe Passing of ArthurandVisions of the Modern City.  He is the recipient of Guggenheim, National Endowment of the Humanities, Fulbright, and Mellon fellowships, and recently publishedNew YorkNocturne: The City After Dark in Literature, Painting, and Photography. Stuart Shermanis Associate Professor of English at Fordham University. He received the Gottschalk Prize from the American Society for Eighteenth-Century Studies for his bookTelling Time: Clocks, Diaries, and English Diurnal Form, 1660-1775, and is currently at work on a study called “News and Plays: Evanescences of Page and Stage, 1620-1779.” He has received the Quantrell Award for Undergraduate Teaching, as well as fellowships from the American Council of Learned Societies, the Chicago Humanities Institute, and Princeton University. Susan J. Wolfson is Professor of English at Princeton University and is general editor of Longman Cultural Editions. A specialist in Romanticism, her critical studies includeThe Questioning Presence:  Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry,Formal Charges: The Shaping of Poetry in British Romanticism, andBorderlines: The Shiftings of Gender in British Romanticism. She has also produced editions of Felicia Hemans, Lord Byron, Thomas L. Beddoes, William M. Praed, Thomas Hood, as well as the Longman Cultural Edition of Shelley’s Frankenstein. She received Distinguished Scholar Award from Keats-Shelley Association, and grants and fellowships from American Council of Learned Societies, National Endowment for the Humanities, J. S. Guggenheim Foundation, and Andrew W. Mellon Foundation.  She is President (2009-2010) of the Association of Literary Scholars, Critics, and Writers. 

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Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

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Overview
David Damroschis Professor of Comparative Literature at Harvard University. He is a past president of the American Comparative Literature Association, and has written widely on world literature from antiquity to the present. His books includeWhat Is World Literature?(2003),The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh(2007), andHow to Read World Literature(2009). He is the founding general editor of the six-volumeLongman Anthology of World Literature, 2/e(2009) and the editor ofTeaching World Literature(2009). Kevin J. H. Dettmaris W. M. Keck Professor and Chair, Department of English, at Pomona College, and Past President of the Modernist Studies Association.  He is the author ofThe Illicit Joyce of PostmodernismandIs Rock Dead?, and the editor ofRereading the New: A Backward Glance at Modernism; Marketing Modernisms: Self-Promotion, Canonization, and Rereading; Reading Rock & Roll: Authenticity, Appropriation, Aesthetics;the Barnes & Noble Classics edition of James Joyce’sA Portrait of the Artist as a Young ManandDubliners;andThe Blackwell Companion to Modernist Literature and Culture,and co-general editor ofThe Longman Anthology of British Literature.   Christopher Baswellis A. W. Olin Chair of English at Barnard College, and Professor of English and Comparative Literature at Columbia University.  His interests include classical literature and culture, medieval literature and culture, and contemporary poetry.  He is author ofVirgil in Medieval England: Figuring the "Aeneid" from the Twelfth Century to Chaucer, which won the 1998 Beatrice White Prize of the English Association.  He has held fellowships from the NEH, the National Humanities Center, and the Institute for Advanced Study, Princeton. Clare Carrollis Director of Renaissance Studies at The Graduate Center, City University of New York and Professor of Comparative Literature at Queens College and at The Graduate Center, CUNY.  Her research is in Renaissance Studies, with particular interests in early modern colonialism, epic poetry, historiography, and translation. She is the author ofThe Orlando Furioso: A Stoic Comedy, and editor of Richard Beacon's humanist dialogue on the colonization of Ireland,Solon His Follie. Her most recent book isCirce's Cup: Cultural Transformations in Early Modern Ireland. She has received Fulbright Fellowships for her research and the Queens College President's Award for Excellence in Teaching. Andrew Hadfieldis Professor of English at The University of Sussex. He is the author of a number of books, includingShakespeare and Republicanism(2005), which was awarded the 2006 Sixteenth-Century Society Conference Roland H. Bainton Prize for Literature;Literature, Travel and Colonialism in the English Renaissance, 1540-1625(1998); and Spenser'sIrishExperience: Wilde Fruyt andSalvage Soyl(1997). He has also edited a number, most recently, with Matthew Dimmock,Religions of the Book: Co-existence and Conflict, 1400-1660(2008), and with Raymond Gillespie,The OxfordHistory of the Irish Book, Vol. III: The Irish Book in English, 1550-1800(2006). He is a regular reviewer for the TLS. Heather Hendersonis a freelance writer and former Associate Professor of English Literature at Mount Holyoke College.  A specialist in Victorian literature, she is the recipient of a fellowship from the National Endowment for the Humanities.  She is the author ofThe Victorian Self: Autobiography and Biblical Narrative.  Her current interests include home-schooling, travel literature, and autobiography.  Peter J. Manningis Professor at Stony Brook University. He is the author ofByron and His FictionsandReading Romantics, and of numerous essays on the British Romantic poets and prose writers. With Susan J. Wolfson, he has co-editedSelected Poems of Byron, andSelected Poems of Beddoes, Hood, and Praed. He has received fellowships from the National Endowment for the Humanities and the John Simon Guggenheim Memorial Foundation, and the Distinguished Scholar Award of the Keats-Shelley Association. Anne Howland Schotteris Professor and Chair of English and Associate Dean of the Faculty at Wagner College.  She is the co-editor ofIneffability: Naming the Unnamable from Dante to Beckettand author of articles on Middle English poetry, Dante, and Medieval Latin poetry.  Her current interests include the medieval reception of classical literature, particularly the work of Ovid.  She has held fellowships from the Woodrow Wilson and Andrew W. Mellon foundations. William Sharpeis Professor of English Literature at Barnard College.  A specialist in Victorian poetry and the literature of the city, he is the author ofUnreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams.  He is also co-editor ofThe Passing of ArthurandVisions of the Modern City.  He is the recipient of Guggenheim, National Endowment of the Humanities, Fulbright, and Mellon fellowships, and recently publishedNew YorkNocturne: The City After Dark in Literature, Painting, and Photography. Stuart Shermanis Associate Professor of English at Fordham University. He received the Gottschalk Prize from the American Society for Eighteenth-Century Studies for his bookTelling Time: Clocks, Diaries, and English Diurnal Form, 1660-1775, and is currently at work on a study called “News and Plays: Evanescences of Page and Stage, 1620-1779.” He has received the Quantrell Award for Undergraduate Teaching, as well as fellowships from the American Council of Learned Societies, the Chicago Humanities Institute, and Princeton University. Susan J. Wolfson is Professor of English at Princeton University and is general editor of Longman Cultural Editions. A specialist in Romanticism, her critical studies includeThe Questioning Presence:  Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry,Formal Charges: The Shaping of Poetry in British Romanticism, andBorderlines: The Shiftings of Gender in British Romanticism. She has also produced editions of Felicia Hemans, Lord Byron, Thomas L. Beddoes, William M. Praed, Thomas Hood, as well as the Longman Cultural Edition of Shelley’s Frankenstein. She received Distinguished Scholar Award from Keats-Shelley Association, and grants and fellowships from American Council of Learned Societies, National Endowment for the Humanities, J. S. Guggenheim Foundation, and Andrew W. Mellon Foundation.  She is President (2009-2010) of the Association of Literary Scholars, Critics, and Writers. 
ISBN: 0205693342
ISBN13: 9780205693344
Author: David Damrosch, Kevin J. H. Dettmar, Christopher Baswell, Clare Carroll, Andrew David Hadfield, Heather Henderson, Peter J. Manning, Anne Howland Schotter, William Chapman Sharpe, Stuart Sherman, Susan J. Wolfson
Publisher: Longman
Format: Paperback
PublicationDate: 2009-10-30
Language: English
Edition: 4
PageCount: 2960
Dimensions: 6.4 x 2.6 x 9.3 inches
Weight: 16.0 ounces
David Damroschis Professor of Comparative Literature at Harvard University. He is a past president of the American Comparative Literature Association, and has written widely on world literature from antiquity to the present. His books includeWhat Is World Literature?(2003),The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh(2007), andHow to Read World Literature(2009). He is the founding general editor of the six-volumeLongman Anthology of World Literature, 2/e(2009) and the editor ofTeaching World Literature(2009). Kevin J. H. Dettmaris W. M. Keck Professor and Chair, Department of English, at Pomona College, and Past President of the Modernist Studies Association.  He is the author ofThe Illicit Joyce of PostmodernismandIs Rock Dead?, and the editor ofRereading the New: A Backward Glance at Modernism; Marketing Modernisms: Self-Promotion, Canonization, and Rereading; Reading Rock & Roll: Authenticity, Appropriation, Aesthetics;the Barnes & Noble Classics edition of James Joyce’sA Portrait of the Artist as a Young ManandDubliners;andThe Blackwell Companion to Modernist Literature and Culture,and co-general editor ofThe Longman Anthology of British Literature.   Christopher Baswellis A. W. Olin Chair of English at Barnard College, and Professor of English and Comparative Literature at Columbia University.  His interests include classical literature and culture, medieval literature and culture, and contemporary poetry.  He is author ofVirgil in Medieval England: Figuring the "Aeneid" from the Twelfth Century to Chaucer, which won the 1998 Beatrice White Prize of the English Association.  He has held fellowships from the NEH, the National Humanities Center, and the Institute for Advanced Study, Princeton. Clare Carrollis Director of Renaissance Studies at The Graduate Center, City University of New York and Professor of Comparative Literature at Queens College and at The Graduate Center, CUNY.  Her research is in Renaissance Studies, with particular interests in early modern colonialism, epic poetry, historiography, and translation. She is the author ofThe Orlando Furioso: A Stoic Comedy, and editor of Richard Beacon's humanist dialogue on the colonization of Ireland,Solon His Follie. Her most recent book isCirce's Cup: Cultural Transformations in Early Modern Ireland. She has received Fulbright Fellowships for her research and the Queens College President's Award for Excellence in Teaching. Andrew Hadfieldis Professor of English at The University of Sussex. He is the author of a number of books, includingShakespeare and Republicanism(2005), which was awarded the 2006 Sixteenth-Century Society Conference Roland H. Bainton Prize for Literature;Literature, Travel and Colonialism in the English Renaissance, 1540-1625(1998); and Spenser'sIrishExperience: Wilde Fruyt andSalvage Soyl(1997). He has also edited a number, most recently, with Matthew Dimmock,Religions of the Book: Co-existence and Conflict, 1400-1660(2008), and with Raymond Gillespie,The OxfordHistory of the Irish Book, Vol. III: The Irish Book in English, 1550-1800(2006). He is a regular reviewer for the TLS. Heather Hendersonis a freelance writer and former Associate Professor of English Literature at Mount Holyoke College.  A specialist in Victorian literature, she is the recipient of a fellowship from the National Endowment for the Humanities.  She is the author ofThe Victorian Self: Autobiography and Biblical Narrative.  Her current interests include home-schooling, travel literature, and autobiography.  Peter J. Manningis Professor at Stony Brook University. He is the author ofByron and His FictionsandReading Romantics, and of numerous essays on the British Romantic poets and prose writers. With Susan J. Wolfson, he has co-editedSelected Poems of Byron, andSelected Poems of Beddoes, Hood, and Praed. He has received fellowships from the National Endowment for the Humanities and the John Simon Guggenheim Memorial Foundation, and the Distinguished Scholar Award of the Keats-Shelley Association. Anne Howland Schotteris Professor and Chair of English and Associate Dean of the Faculty at Wagner College.  She is the co-editor ofIneffability: Naming the Unnamable from Dante to Beckettand author of articles on Middle English poetry, Dante, and Medieval Latin poetry.  Her current interests include the medieval reception of classical literature, particularly the work of Ovid.  She has held fellowships from the Woodrow Wilson and Andrew W. Mellon foundations. William Sharpeis Professor of English Literature at Barnard College.  A specialist in Victorian poetry and the literature of the city, he is the author ofUnreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams.  He is also co-editor ofThe Passing of ArthurandVisions of the Modern City.  He is the recipient of Guggenheim, National Endowment of the Humanities, Fulbright, and Mellon fellowships, and recently publishedNew YorkNocturne: The City After Dark in Literature, Painting, and Photography. Stuart Shermanis Associate Professor of English at Fordham University. He received the Gottschalk Prize from the American Society for Eighteenth-Century Studies for his bookTelling Time: Clocks, Diaries, and English Diurnal Form, 1660-1775, and is currently at work on a study called “News and Plays: Evanescences of Page and Stage, 1620-1779.” He has received the Quantrell Award for Undergraduate Teaching, as well as fellowships from the American Council of Learned Societies, the Chicago Humanities Institute, and Princeton University. Susan J. Wolfson is Professor of English at Princeton University and is general editor of Longman Cultural Editions. A specialist in Romanticism, her critical studies includeThe Questioning Presence:  Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry,Formal Charges: The Shaping of Poetry in British Romanticism, andBorderlines: The Shiftings of Gender in British Romanticism. She has also produced editions of Felicia Hemans, Lord Byron, Thomas L. Beddoes, William M. Praed, Thomas Hood, as well as the Longman Cultural Edition of Shelley’s Frankenstein. She received Distinguished Scholar Award from Keats-Shelley Association, and grants and fellowships from American Council of Learned Societies, National Endowment for the Humanities, J. S. Guggenheim Foundation, and Andrew W. Mellon Foundation.  She is President (2009-2010) of the Association of Literary Scholars, Critics, and Writers. 

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

Shipping Fees

  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

Delivery Times

The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

  • Standard Shipping: 5-8 business days
  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


Shipping Cost


We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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