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Style and Rhetoric of Short Narrative Fiction: Covert Progressions Behind Overt Plots (Routledge Studies in Rhetoric and Stylistics)

Paperback |English |1138671347 | 9781138671348

Style and Rhetoric of Short Narrative Fiction: Covert Progressions Behind Overt Plots (Routledge Studies in Rhetoric and Stylistics)

Paperback |English |1138671347 | 9781138671348
Overview

In many fictional narratives, the progression of the plot exists in tension with a very different and powerful dynamic that runs, at a hidden and deeper level, throughout the text. In this volume, Dan Shen systematically investigates how stylistic analysis is indispensable for uncovering this covert progression through rhetorical narrative criticism. The book brings to light the covert progressions in works by the American writers Edgar Allan Poe, Stephan Crane and Kate Chopin and British writer Katherine Mansfield.

ISBN: 1138671347
ISBN13: 9781138671348
Author: Dan Shen
Publisher: Routledge
Format: Paperback
PublicationDate: 2016-03-03
Language: English
Edition: 1
PageCount: 200
Dimensions: 5.98 x 0.44 x 9.02 inches
Weight: 16.0 ounces

In many fictional narratives, the progression of the plot exists in tension with a very different and powerful dynamic that runs, at a hidden and deeper level, throughout the text. In this volume, Dan Shen systematically investigates how stylistic analysis is indispensable for uncovering this covert progression through rhetorical narrative criticism. The book brings to light the covert progressions in works by the American writers Edgar Allan Poe, Stephan Crane and Kate Chopin and British writer Katherine Mansfield.

Editorial Reviews


This important contribution to the stylistics of short fiction and poetics of narrative both enriches the theory of the short story and provides new interpretations of a range of major British and American stories. It is very relevant both for the teaching of short fiction and for the theory of narrative. --Jonathan Culler, Cornell University


Dan Shen persuasively expands the scope of the rhetorical theory of narrative by showing that careful attention to easily overlooked patterns of meaning (what she calls 'covert progressions') in fiction naturally leads to matters that previous rhetorical theorists have not done justice to, especially the interrelationships among style, ethics, and biography. --James Phelan, Ohio State University


It is not often that a major breakthrough occurs in a well-established discipline like rhetorical narrative studies. Style and Rhetoric of Short Narrative Fiction: Covert Progressions Behind Overt Plots is definitely such a book. I commend it enthusiastically to all readers interested in narrative fiction. --J. Hillis Miller, University of California, Irvine


A distinguished senior scholar makes a major contribution, combining in a rare way the perspectives of narrative theory, stylistics, and rhetoric to provide challenging new interpretations of major short fiction from nearly a century of English-language writing, ranging from Poe to Katherine Mansfield. --Jonathan Arac, University of Pittsburgh


The power of rhetorical analysis is presented with great clarity, systematizing the variety of tools, concepts and perspectives in a model easy to grasp. Beside the sound theoretical proposal, this book is worth reading inasmuch as it offers a great example of analytic finesse and of synthetic skills. The quality of the readings is excellent for those interested in literary hermeneutics, and the arguments will appear clear and convincing to those more interested in theoretical reflection. -- Federico Pianzola, GRAAT


In sum, this is not only an important book with an original thesis, masterfully developed in a series of strong readings, but it is also a challenging work- provocative in the best sense. -- H. Porter Abbott, University of California, Santa Barbara


What Style and Rhetoric of Short Narrative Fiction has accomplished in analyzing the various intricate interactions between overt and covert textual movements in a judiciously selected corpus is not only many insights into the subtleties of the narratives so meticulously examined but also the opening up of perspectives for the rhetorical analysis of other narratives and corpuses. Both precise and adaptable, the criteria and procedures for analyzing the interplay between the overt and the covert have much to offer to a methodology of narrative theory and analysis. - John Pier, Universite´ Francois-Rabelais de Tours, Poetics Today


'By directing attention to both stylistic and structural techniques, and applying relevant sociohistorical and intertextual contexts, Dan Shen not only contributes to more thorough and comprehensive readings, but also encourages readers to appreciate the potential of short narrative fiction as a literary genre.' - Ken Ireland, The Open University in the East of England, Journal of Literary Semantics

--Jonathan Culler, Cornell University --James Phelan, Ohio State UniversityJ. Hillis Miller, University of California, Irvine --Jonathan Arac, University of Pittsburgh -- Federico Pianzola, GRAAT -- H. Porter Abbott, University of California, Santa BarbaraWhat Style and Rhetoric of Short Narrative Fiction has accomplished in analyzing the various intricate interactions between overt and covert textual movements in a judiciously selected corpus is not only many insights into the subtleties of the narratives so meticulously examined but also the opening up of perspectives for the rhetorical analysis of other narratives and corpuses. Both precise and adaptable, the criteria and procedures for analyzing the interplay between the overt and the covert have much to offer to a methodology of narrative theory and analysis. - John Pier, Universite´ Francois-Rabelais de Tours, Poetics Today - Ken Ireland, The Open University in the East of England, Journal of Literary Semantics


Dan Shen is Changjiang Professor of English Language and Literature at Peking University, China. She is on the advisory or editorial boards of the American journals Style and Narrative, the British Language and Literature, and the European JLS: Journal of Literary Semantics, as well as being a consultant editor of Routledge Encyclopedia of Narrative Theory.

is Changjiang Professor of English Language and Literature at Peking University, China. She is on the advisory or editorial boards of the American journals Style and Narrative, the British Language and Literature, and the European JLS: Journal of Literary Semantics, as well as being a consultant editor of Routledge Encyclopedia of Narrative Theory.

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  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

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Shipping method varies depending on what is being shipped.  

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If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

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Overview

In many fictional narratives, the progression of the plot exists in tension with a very different and powerful dynamic that runs, at a hidden and deeper level, throughout the text. In this volume, Dan Shen systematically investigates how stylistic analysis is indispensable for uncovering this covert progression through rhetorical narrative criticism. The book brings to light the covert progressions in works by the American writers Edgar Allan Poe, Stephan Crane and Kate Chopin and British writer Katherine Mansfield.

ISBN: 1138671347
ISBN13: 9781138671348
Author: Dan Shen
Publisher: Routledge
Format: Paperback
PublicationDate: 2016-03-03
Language: English
Edition: 1
PageCount: 200
Dimensions: 5.98 x 0.44 x 9.02 inches
Weight: 16.0 ounces

In many fictional narratives, the progression of the plot exists in tension with a very different and powerful dynamic that runs, at a hidden and deeper level, throughout the text. In this volume, Dan Shen systematically investigates how stylistic analysis is indispensable for uncovering this covert progression through rhetorical narrative criticism. The book brings to light the covert progressions in works by the American writers Edgar Allan Poe, Stephan Crane and Kate Chopin and British writer Katherine Mansfield.

Editorial Reviews


This important contribution to the stylistics of short fiction and poetics of narrative both enriches the theory of the short story and provides new interpretations of a range of major British and American stories. It is very relevant both for the teaching of short fiction and for the theory of narrative. --Jonathan Culler, Cornell University


Dan Shen persuasively expands the scope of the rhetorical theory of narrative by showing that careful attention to easily overlooked patterns of meaning (what she calls 'covert progressions') in fiction naturally leads to matters that previous rhetorical theorists have not done justice to, especially the interrelationships among style, ethics, and biography. --James Phelan, Ohio State University


It is not often that a major breakthrough occurs in a well-established discipline like rhetorical narrative studies. Style and Rhetoric of Short Narrative Fiction: Covert Progressions Behind Overt Plots is definitely such a book. I commend it enthusiastically to all readers interested in narrative fiction. --J. Hillis Miller, University of California, Irvine


A distinguished senior scholar makes a major contribution, combining in a rare way the perspectives of narrative theory, stylistics, and rhetoric to provide challenging new interpretations of major short fiction from nearly a century of English-language writing, ranging from Poe to Katherine Mansfield. --Jonathan Arac, University of Pittsburgh


The power of rhetorical analysis is presented with great clarity, systematizing the variety of tools, concepts and perspectives in a model easy to grasp. Beside the sound theoretical proposal, this book is worth reading inasmuch as it offers a great example of analytic finesse and of synthetic skills. The quality of the readings is excellent for those interested in literary hermeneutics, and the arguments will appear clear and convincing to those more interested in theoretical reflection. -- Federico Pianzola, GRAAT


In sum, this is not only an important book with an original thesis, masterfully developed in a series of strong readings, but it is also a challenging work- provocative in the best sense. -- H. Porter Abbott, University of California, Santa Barbara


What Style and Rhetoric of Short Narrative Fiction has accomplished in analyzing the various intricate interactions between overt and covert textual movements in a judiciously selected corpus is not only many insights into the subtleties of the narratives so meticulously examined but also the opening up of perspectives for the rhetorical analysis of other narratives and corpuses. Both precise and adaptable, the criteria and procedures for analyzing the interplay between the overt and the covert have much to offer to a methodology of narrative theory and analysis. - John Pier, Universite´ Francois-Rabelais de Tours, Poetics Today


'By directing attention to both stylistic and structural techniques, and applying relevant sociohistorical and intertextual contexts, Dan Shen not only contributes to more thorough and comprehensive readings, but also encourages readers to appreciate the potential of short narrative fiction as a literary genre.' - Ken Ireland, The Open University in the East of England, Journal of Literary Semantics

--Jonathan Culler, Cornell University --James Phelan, Ohio State UniversityJ. Hillis Miller, University of California, Irvine --Jonathan Arac, University of Pittsburgh -- Federico Pianzola, GRAAT -- H. Porter Abbott, University of California, Santa BarbaraWhat Style and Rhetoric of Short Narrative Fiction has accomplished in analyzing the various intricate interactions between overt and covert textual movements in a judiciously selected corpus is not only many insights into the subtleties of the narratives so meticulously examined but also the opening up of perspectives for the rhetorical analysis of other narratives and corpuses. Both precise and adaptable, the criteria and procedures for analyzing the interplay between the overt and the covert have much to offer to a methodology of narrative theory and analysis. - John Pier, Universite´ Francois-Rabelais de Tours, Poetics Today - Ken Ireland, The Open University in the East of England, Journal of Literary Semantics


Dan Shen is Changjiang Professor of English Language and Literature at Peking University, China. She is on the advisory or editorial boards of the American journals Style and Narrative, the British Language and Literature, and the European JLS: Journal of Literary Semantics, as well as being a consultant editor of Routledge Encyclopedia of Narrative Theory.

is Changjiang Professor of English Language and Literature at Peking University, China. She is on the advisory or editorial boards of the American journals Style and Narrative, the British Language and Literature, and the European JLS: Journal of Literary Semantics, as well as being a consultant editor of Routledge Encyclopedia of Narrative Theory.

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

Shipping Fees

  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

Delivery Times

The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

  • Standard Shipping: 5-8 business days
  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


Shipping Cost


We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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